To address the common complaints, all of which have some validity:ДЎ. The question is whether that's okay.ДЇor some people, I figure it will probably work out. There's no question that Madvillainy is not a 'normal' hip hop record. In art, sometimes things get produced that are strange and influential, considered within the scope of their origin (Van Gogh, for example), and sometimes things get created that are strange for no good reason and we can only hope aren't influential at all (e.e. Never flashy or glamorous, MADVILLAINY is served straight up, the way hip-hop was meant to be. With both men known for their stunning soundscapes, rhyming skills, and schizophrenic personalities, the duo decided to have Madlib concentrate on the beats and let Doom handle the lyrics.In mixing their comic-book-like personas, Madlib and Doom play to their nearly superhuman strengths while some other collaborations of this caliber seems forced and lop-sided, there is absolutely no filler here-just undiluted beats and rhymes, best exemplified by the singles 'America's Most Blunted' and 'All Caps.' Lib's inventive production leans towards the jazzy side of his repertoire, and Doom unleashes outrageous lyrics on par with his solo efforts (and even his work as Zevlove X in his stint with K.M.D.). GibbsвЂ™ introspective, aggressive, and sometimes even anguished lyrics give us a portrait of the manвЂ™s life, and with MadlibвЂ™s production style, live up to GibbsвЂ™ own characterization of the album as a вЂњgeneric Blaxpoitation film on wax.вЂќ Perhaps itвЂ™s only fitting that the final product is a little hard to swallow whole.Description : Madvillain: Madlib, MF Doom.Additional personnel includes: Lord Quas, M.E.D., Wildchild, Viktor Vaughn, Stacy Epps.Two years in the making, and combining two of the best underground hip-hop artists of the early 2000s, this collaboration between MF Doom and Madlib has been appropriately dubbed MADVILLAINY. The combination of the rough Gangsta Gibbs and the unconventional Madlib seems like a somewhat incompatible one on paper, but the pair does have a strange charisma about them. Once you get past that, however, Pinata finishes nicely, with the plethora of guest verses adding variety to the second half. These same tracks also sometimes drag on a little bit too long cutting five or ten minutes from the center of the album would have done wonders for the pacing. The guest appearances do a good job of breaking it up and adding some variety, but by about halfway through the album you might find yourself tempted to tune out the raps, which is a shame, because some of Gibbs best moments on the album come in tracks five through nine.

The only issue with his rapping is that itвЂ™s hard to take GibbsвЂ™ gruff voice for the length of all seventeen tracks on the album. He more than satisfies Gibbs does a tremendous job at keeping up with MadlibвЂ™s production. The biggest preconceptions I came into this album with arose from Madvillain Freddie Gibbs was an unproven talent, and I naturally questioned his ability to keep up with MadlibвЂ™s impeccable instrumentals. The final track is a behemoth with six guest appearances a vicious posse cut that wraps Pinata up in a nice little bow of classic gangster hubris.Д®l-P has a talent for molding other rappers to his beats Madlib is more given to laying down the beat and letting the rhymes sink or swim. The album gets progressively more confident as it goes on, with the only guest appearances from Danny Brown and Raekwon until the last seven tracks, which feature many other rappers from Domo Genesis to Ab-Soul and Scarface. His deep voice is evocative of a less syncopated, less furious DMX, and his classic gangsta lyrics and flow mesh with the instrumentals impeccably.

Pinata is a far more aggressive album, and this is mostly due to Freddie Gibbs. The vicious tone and meaning in the samples in вЂњSupplierвЂќ gives us our first insight as to the biggest difference between Pinata and Madvillainy.

The first glimpse you get of Pinata comes with some suitably вЂњvintageвЂќ sounding samples put over a strangely familiar drumbeat. Yet, to contend that Gibbs must exist solely in DumileвЂ™s iron-masked shadow is to do Pinata injustice. Pinata, as a collaboration with Madlib and an MC, naturally makes Madvillainy the easiest comparison. He rose to fame during the 2000вЂ™s as both a producer and an MC, with the pinnacle of his achievement being the critically acclaimed вЂњMadvillainy,вЂќ a collaborative album, much like Pinata, but featuring the enigmatic and commanding MF DOOM. has, under the name of Madlib, been involved in numerous releases in hip-hopвЂ™s underground. Review Summary: Filled with delicious goodies for everyone.ДЄnother day, another Madlib production.

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